![]() ![]() While he sounds top-notch for the vast majority, this particular stretch of sound seems to defy any other explanation than his actually intending to sound as awful as possible. This is egregiously exacerbated by some hideous falsetto singing from Shears. It’s a heavy sigh-inducing letdown, and it makes everything a bit too gaudy and garish. “Big Bushy Moustache” starts with a delightfully brittle guitar line and abundant colorful soundcandy, only to get butchered by a chorus that hits too soon and plays too big. These are qualities that remain largely consistent throughout the album, to its great merit. The opener is remarkable for the effortlessness with which it seems to pull off both its catchiness and its attention to instrumental detail, the latter always sounding as if played by musicians who are having an absolute blast. It’s more glam, more outlandishly festive and jubilant, and bearing the influence of Shears’ new Southern home. Moreover, it’s a drastically different take on the sensibility than the Monkeys’ Alex Turners’. So Shears’ adopted sound comes across as fresh. ” Could it be that we are on the cusp of a large-scale resurgence? Whatever the odds, it’s an aesthetic that’s currently light years away from become standard retro fare. The loungy ‘70s piano man was a specimen any reasonably-minded individual would have dismissed as long gone for good, but we’ve already seen an excavation of the type earlier this year on Arctic Monkeys’ “ Tranquility Base Hotel & Casino. At first strike, the sound can be a slightly jarring anachronism, making one baffle at what exactly is going on. He channels the very spirit of John, often picking up his distinctive inflections. It’s in the crafting of the songs, with their piano-heavy styles, their country-tinged sounds, the rounded, decadent vocal harmonies, even in the quirks of Shears’ crooning. Shears and John are friends, and the rock legend’s influence has seeped in big time on this record. While worlds away from the indie electronic stylings of Scissor Sisters, Shears’ self-titled album does have the same unbridled festive creativity, and is a fascinating record in its own right.įrom the first full song, “Good Friends,” the music screams Elton John. Also shaping the sound heavily was Shears’ relocation to New Orleans and absorption of the city’s rich musical heritage. Such as was the case with Panic! At the Disco’s Brendon Urie, who preceded Shears in the very same role, Shears’ music has taken an unabashedly theatrical turn. Shears, in the meantime, has taken up numerous projects, most notably starring in “Kinky Boots” on Broadway. ![]() The band has been on hiatus since 2012, other than the exception of one isolated single last year. Jake Shears is best known as the frontman of electroclash sensation Scissor Sisters. ![]() Jake Shears’ Self-Titled Album Is a Southern-Fried Flamboyant Frenzy ![]()
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